Archive for February, 2017

246. Dreams

If the dream sequence is a crutch for many dull thrillers, horrors and mysteries, what makes a good one? One that challenges and stretches cinematic language.

245. Touch of Evil

Orson Welles is often referred to as a glistening talent who wasted his early promise. Touch of Evil, the last film he made in America, proves otherwise.

244. Great Sounds – Part Three

The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.

243. Great Sounds – Part Two

The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.


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