283. Dog Day Afternoon
With Frank Pierson’s Oscar-winning script, Sidney Lumet’s thriller is a masterclass in breaking the basic rules of screenwriting.
With Frank Pierson’s Oscar-winning script, Sidney Lumet’s thriller is a masterclass in breaking the basic rules of screenwriting.
In his Poetics, Aristotle wrote that drama needs a unity of space, time and action. How does cinema deal with such restrictions?
Of all the genres, the courtroom is perhaps the one most beset by clichés. So is there any evidence for a few masterpieces?
Belonging to a tradition that dates back to Rebel Without a Cause, Richard Linklater’s early masterpiece also owes some debt of gratitude to Robert Altman.
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