387. The Third Man
The Palme d’Or winner in 1949, Carol Reed’s masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery.
The Palme d’Or winner in 1949, Carol Reed’s masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery.
Sofia Coppola’s off-beat romance deftly explores isolation, miscommunication and the superficiality of modern media.
Long thought to be a satire on bourgeoise marriage, Luis Buñuel’s masterpiece is really a study of the traumas suffered by a sexual assault victim.
Mixing social history, European art film and a British melodrama, Wong Kar-wai delivered a masterpiece of aching beauty.
Once dismissed as parochial and passé, the influence of David Lean’s classic can be seen in such unlikely places as The Third Man, The Godfather and Carol.
With this Oscar winning classic, David Lean stopped being an ‘English filmmaker’ and became an ‘international star director’.
Lyrical language and elliptical plotting can work in a novel, but not necessarily in cinema. Does The English Patient succeed?
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