389. The Insider
Whether it be ethically, legally, politically, geographically or even chemically, Michael Mann’s multi-Oscar nominated picture is about crossing the line.
Whether it be ethically, legally, politically, geographically or even chemically, Michael Mann’s multi-Oscar nominated picture is about crossing the line.
Cristian Mungiu won the Palme d’Or for his unflinching drama about a single day in the lives of two young women.
In Carl Theodor Dreyer’s silent masterpiece, the story isn’t so much told through the Saint’s eyes as it is read on her face.
Robert Bresson’s masterpiece is a perfect example of less is more; natural acting, minimal music, off-screen sounds and restricting yourself to a 50mm lens.
Films about writers are tricky propositions but you can roughly divide the genre into two eras; pre- and post-Mishima.
On the surface Yasujiro Ozu’s examination of family life in post-war Japan may sound simple, but what he delivered is one of cinema’s supreme achievements.
Blue is the Warmest Color generated controversy with its love scenes. But at three hours long, there’s more to it than that.
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