171. Three Days of the Condor
Adapting James Grady’s straight forward thriller, Sydney Pollack delivered a commentary on dehumanising institutions.
Adapting James Grady’s straight forward thriller, Sydney Pollack delivered a commentary on dehumanising institutions.
When a filmmaker enters the realm of autobiography, the result is all too often soaked in nostalgia. Bruce Robinson’s Withnail & I is fermented in fine wine.
David Lean’s film of Boris Pasternack’s Nobel Prize Winning Novel whittled the sprawling epic down to a simple love story. Was it successful?
Most movies about moviemaking are little more than trite tributes. Are there any that go beyond the surface of the silver screen?
This video-essay celebrates the career of Martin Scorsese, showing how he has taken cinema as a means of telling stories and expanded it as a means of personal expression.
How do you cast a movie star in a story about a Princess who does not want to be a Princess? You cast an unknown. Ladies and Gentlemen, Audrey Hepburn.
Once upon a time, in a galaxy far, far away, George Lucas built his own cinema empire. But American Graffiti, made in his hometown, is his masterpiece.
With young audiences off from school, Hollywood knows there is more money to be made in the summer than at any other time.
007 is more than just dry martinis, guns, gadgets and product placement. His best contribution to cinema is the Set-Piece.
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