387. The Third Man
The Palme d’Or winner in 1949, Carol Reed’s masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery.
The Palme d’Or winner in 1949, Carol Reed’s masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery.
If such an inscrutable character sits at the heart of John Le Carré’s labyrinthine plot, how is the adaptation such a lucid film?
Jean-Pierre Melville’s masterpiece is so influential, even if you haven’t seen it… you have seen it because you’ve seen dozens of films influenced by it.
What makes for a great scene? Performance? Conflict? Dialogue? Visuals? Music? Combine them and you have atomic weight.
Adapted from Loren Singer’s poorly reviewed best seller, Alan J. Pakula’s conspiracy thriller is a classic of assured pacing and paranoia.
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