388. Incendies
In adapting Wajdi Mouawad’s play, Denis Villeneuve used two time lines to push the past against the present and ask if suffering is the only outcome of war.
In adapting Wajdi Mouawad’s play, Denis Villeneuve used two time lines to push the past against the present and ask if suffering is the only outcome of war.
This 60s’ American classic mixes avant-garde with mythology to examine male identity, intimacy, sexuality and trauma.
With his Palme d’Or winning debut, Steven Soderbergh made a modern classic as well as a how-to manual for film students.
No matter how cinematic, all films are nothing more than a form of writing that borrows from other forms of writing. Which is why Arrival comes in code.
Ari Folman’s animated documentary is different from many other films about trauma. But it is only in its final moments that it reveal its most telling truth.
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