278. The Rules of the Game
Reviled and banned upon its release, then feared lost forever, Jean Renoir’s masterpiece stands today as a victory for liberalism.
Reviled and banned upon its release, then feared lost forever, Jean Renoir’s masterpiece stands today as a victory for liberalism.
When it comes to making movies about making movies, many directors choose to venerate the medium. Not Jean-Luc Godard. He treats it with contempt.
Why did Edmond Rostand base his play on a real-life historical figure, only to turn his writing talent into a tragedy?
There is only one time to tell Margaret Atwood’s novel, The Handmaid’s Tale. Right now. Which means always.
Ernest Hemingway hated what Hollywood did with his novels. The only film of his work he liked was this classic adaptation of his celebrated short story.
John Huston’s film of Dashiell Hammett’s classic novel was the third adaptation. How did he succeed where others had failed?
Is Krzysztof Kieslowski’s trilogy only about liberty, equality and fraternity? Look again and you’ll find it also addresses fate, coincidence and co-existence.
What makes for a great shot? Beauty? The lens? Lighting? Combine them and you have more than just an image.
What makes for a great shot? Beauty? The lens? Lighting? Combine them and you have more than just an image.
Best known for his crime dramas, Martin Scorsese’s adaptation of Edith Wharton’s romantic novel is one of his most incisive works.
Akira Kurosawa’s Rashomon is celebrated for asking what is truth. Which is more than a little ironic, because that’s not what it is really about.
Few films are as layered as The Conformist. But whether you see it as an exercise in style, character study, or philosophical thesis, it’s a flat out masterpiece.
Orson Welles is celebrated for Citizen Kane but it was this adaptation of Booth Tarkington’s novel that defined his career.
Orson Welles’ debut feature is now a quarter of a century old. Have we been taking its greatness for granted or is it time for reappraisal?
Guillermo del Toro says he is “in love with monsters.” In Pan’s Labyrinth, set in the Spanish Civil War, he uses them to navigate history and the world.
Like the novel, Revolutionary Road so probed its subject audiences stayed away. Their loss. It is Sam Mendes’ best film.
Chodleros De Laclos’ novel has inspired plays, operas and ballets. But none match the debauched panache of Stephen Frears’ film.
Francis Ford Coppola’s radical adaptation of Joseph Conrad’s novella is one of the most astonishing achievements in the entire history of cinema.
Emily Brontë’s novel has been filmed over 25 times. Is there a line between radical interpretation and reckless desecration?
Made in 1944, Gaslight is an Oscar-winning melodrama concerning madness and murder. The film itself is guilty of attempted homicide.
How well did Philip Kaufman succeed in adapting Milan Kundera’s ‘unfilmable’ philosophical love story?
Until 1964, Stanley Kubrick had suffered years of set-backs, disappointments and frustration. But he made his reputation with this satire on nuclear war.
How can Howard Hawks’ adaptation of Raymond Chandler’s labyrinthine detective novel be heralded as a classic when it is impossible to follow?
Nicolas Winding Refn’s film focuses on Ryan Gosling’s nameless getaway driver. But its best scene involves a vehicle of an entirely different kind.
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