351. Heat
Ever since its release in 1995, Heat has been held as the greatest ever heist movie. But it has another, completely different film living and dying inside of it.
Ever since its release in 1995, Heat has been held as the greatest ever heist movie. But it has another, completely different film living and dying inside of it.
Roman Polanski’s masterpiece is often called film noir. But lacking a dark look and a femme fatale, it’s not. It’s a very rare Hollywood breed; a true tragedy.
Nicolas Winding Refn’s film focuses on Ryan Gosling’s nameless getaway driver. But its best scene involves a vehicle of an entirely different kind.
Based on Jim Thompson’s grimey story about smalltime criminals, Stephen Frears’ film was robbed when it didn’t win a single Oscar from its four nominations.
This video-essay on Blade Runner examines how Ridley Scott visualizes the film’s numerous and seemingly disparate themes of urbanity, ecology, identity and mortality.
LA Confidential is adapted from James Ellroy’s highly regarded crime novel that spans seven scandalous years in the life of Los Angeles.
Double Indemnity boasts some pedigree; Billy Wilder directing a script he co-wrote with Raymond Chandler that they adapted from a book by James M. Cain.
Quentin Tarantino exploded onto the screen 20 years ago and in the time since, he has had but one crucial collaborator; his editor Sally Menke.
Copyright © 2025 Steven Benedict. Icons by Wefunction. Designed by CMS installed by PixelApes