288. The Umbrellas of Cherbourg
With his Palme d’Or winning masterpiece, Jacques Demy wove more than a musical. He delivered a socially relevant story worthy of tragic opera.
Tag Archives: Martin Scorsese
282. The Leopard
All countries have troubled histories they would rather forget. The Leopard is a masterpiece that admits to those troubles as well as the failure to fix them.
281. Taxi Driver
Taxi Driver was written in ten days by first-time screenwriter, Paul Schrader as a means to exorcise his festering, masochistic, narcissistic anger.
279. Vertigo
Is Hitchcock’s Vertigo really the greatest film ever made? Certainly, it is a compilation of his many themes and tropes, as well as a critique on cinema itself.
275. Deliverance
When we think of American cinema in the seventies, all too often we all too quickly think of the great directors. But what of the cinematograph-auteurs?
273. Miller’s Crossing
The plot to Miller’s Crossing is so complex, it’s hard to even figure out where and when it is set. And that’s before we discuss the meaning of Tom Reagan’s hat.
272. 8 1/2
Fellini’s masterpiece is often described as a film about not being able to make a film. But really it is about responsibility, liability, lying, loving and living.
267. Great Openings – Part Two
What makes for a great opening? Character? Conflict? Poetry? Hopefully, more than something we’re supposed to just look at.
261. Badlands
Terrence Malick’s first feature is not just one of the greatest debuts in the history of American cinema, Badlands also succeeded in redirecting screen violence.
259. THX-1138
A long time ago in a galaxy far, far away, George Lucas was an avant-garde filmmaker whose sole interest was in making highly experimental short films.
250. Slow-Motion
Once considered avant-garde, slow-motion is now the mainstay of every action film. Here are some of the best and most innovative uses of the technique.
246. Dreams
If the dream sequence is a crutch for many dull thrillers, horrors and mysteries, what makes a good one? One that challenges and stretches cinematic language.
243. Great Sounds – Part Two
The world is so noisy, we unconsciously filter out all that we don’t want to hear. Much of film sound operates in the same way.
235. Persona
In a career that spanned over sixty years, forty films and a dozen masterpieces, Persona is the most unusual film in Ingmar Bergman’s canon.
234. Great Shots – Part One
What makes for a great shot? Beauty? The lens? Lighting? Combine them and you have more than just an image.
232. The Age of Innocence
Best known for his crime dramas, Martin Scorsese’s adaptation of Edith Wharton’s romantic novel is one of his most incisive works.
229. The Conformist
Few films are as layered as The Conformist. But whether you see it as an exercise in style, character study, or philosophical thesis, it’s a flat out masterpiece.
224. Citizen Kane
Orson Welles’ debut feature is now a quarter of a century old. Have we been taking its greatness for granted or is it time for reappraisal?
220. City of God
Adapted from Paolo Lin’s non-fiction novel, director Fernando Meirelles cast non-actors to capture life, death and everything in-between in Rio’s favelas.
217. Great Scenes – Part Three
What makes for a great scene? Performance? Conflict? Dialogue? Visuals? Music? Combine them and you have atomic weight.
212. American … What?
Beauty, Gangster, Hustle, Psycho, Sniper. With so many films using “American” in their title, is the appellation losing its significance?
209. Raiders of the Lost Ark
Thirty-five years old, Spielberg’s classic was inspired by more than just the Saturday matinee serials he watched as a child.
204. The Most Influential Films Ever Made – Part Two
The films that really changed the course of cinema are often ones few people have seen.
196. Blue Velvet
David Lynch’s shocking and mesmerising look at suburbia’s underbelly also showed he could turn popular music into a nightmare.
