387. The Third Man
The Palme d’Or winner in 1949, Carol Reed’s masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery.
The Palme d’Or winner in 1949, Carol Reed’s masterpiece drew on covert sources and unexpected styles and techniques to deliver a melancholic mystery.
Few film songs come anywhere near the layered meanings of Falling in Love Again, sung by Marlene Dietrich in Josef von Sternberg’s The Blue Angel.
This video essay examines the films that influenced Stanley Kubrick (silent cinema, European arthouse, avant-garde etc.,) as well as the many films his work has since influenced.
What if science-fiction were not a literary genre but a political and ideological theory. If so, Alex Garland uses Ex Machina to show us how he sees the world.
Long before it was revered as a masterpiece, F.W. Murnau’s radical reimagining of Bram Stoker’s classic vampire novel had to be saved from the furnaces.
The influence of Fritz Lang’s Metropolis extends far beyond sci-fi and can be seen in films are varied as Casablanca, An American in Paris and The Birds.
A long time ago in a galaxy far, far away, George Lucas was an avant-garde filmmaker whose sole interest was in making highly experimental short films.
Orson Welles is celebrated for Citizen Kane but it was this adaptation of Booth Tarkington’s novel that defined his career.
This extended video-essay examines the application of colour in production design from A Voyage to the Moon and Ben-Hur through to Avatar and Gravity.
Robert Rossen took Walter Tevis’ little read novel and turned Fast Eddie’s character from a pool shark into a metaphor for a broken artist hoping to find redemption.
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