180. The Elephant Man
To call David Lynch a surrealist is to misses the point. This masterpiece proved he is one of cinema’s great humanists.
To call David Lynch a surrealist is to misses the point. This masterpiece proved he is one of cinema’s great humanists.
This film has two men talking. However, its strength lies in the way it uses sound to tell us one thing while showing us another.
How well did Philip Kaufman succeed in adapting Milan Kundera’s ‘unfilmable’ philosophical love story?
Adapting James Grady’s straight forward thriller, Sydney Pollack delivered a commentary on dehumanising institutions.
He was called The Master of Suspense (a title he coined himself), but for all the thrills did Alfred Hitchcock not make rom-coms wrapped inside mysteries?
This extended video-essay examines the innovations at the heart of cinema, focusing on how cinema is coping with the move from Hollywood to Silicon Valley.
Released in 1996, Trainspotting was accused of promoting drug abuse. But really, it was a much needed shot in the arm for British cinema.
Without question, Mike Nichols was one of America’s most feted entertainers. But how did he manage to break new ground and tell such compelling stories?
In a career featuring several masterpieces, Raging Bull is considered Martin Scorsese’s greatest achievement. But what did he achieve in making it?
Adapted from Gillian Flynn’s best-selling thriller, David Fincher’s film keeps its most surprising twist until the final shot. And it’s not what you think.
Belonging to a tradition that dates back to Rebel Without a Cause, Richard Linklater’s early masterpiece also owes some debt of gratitude to Robert Altman.
A box-office flop in 1994, Frank Darabont’s adaptation of Stephen King’s novella is proof that some films deserve a second chance.
He has made only 3 feature films, but with each of them being a masterpieces Steve McQueen is now one of the world’s leading filmmakers.
He may make blockbusters, but Christopher Nolan’s tastes lean more to art house cinema. So what are his films really about?
Aaron Sorkin’s script is lauded as dazzling. But a script is more than just dialogue, and that’s why Sorkin’s is so great.
If it was originally called The Man Who Came To Play and took place in a Las Vegas casino, how did the story end up taking place in Vietnam during the war?
With Steve McQueen in the title role, a legendary car-chase and a score by Lalo Schifrin, Peter Yates’ Bullitt still oozes as much cool now as it did in 1968.
Kathryn Bigelow did not just make history when she became the first woman to win an Oscar for directing. She also made a landmark war film.
This video-essay examines Steven Spielberg’s career, from his days in television up until War Horse, and shows how he uses the disciplines of cinema to secure specific emotional responses.
Robocop is now a quarter of a century old. With a remake soon to be released, we ask is Paul Verhoeven’s original beginning to rust?
Spike Lee’s joint was the hottest movie of 1989 and marked him as a major director. The years since have not diminished its power.
Synchronized sound arrived in 1927. But the theaters were far from silent before that and perhaps something was lost with the coming of the new technology.
Robert Altman was one of the great mavericks of American cinema. But even iconoclasts have to stand for something, so what did Altman believe in?
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