361. Ex Machina
What if science-fiction were not a literary genre but a political and ideological theory. If so, Alex Garland uses Ex Machina to show us how he sees the world.
What if science-fiction were not a literary genre but a political and ideological theory. If so, Alex Garland uses Ex Machina to show us how he sees the world.
Science-Fiction operates in many ways; fantasy, allegory, romance, satire and speculative. Another is prophecy. Twenty years on The Matrix seems eerily prescient.
Once considered avant-garde, freeze-frame is now common place in every genre. Here are some of landmark and innovative uses of the technique.
James Cameron took a risk in tackling a sequel to Ridley Scott’s Alien. But his follow-up added other elements to the sci-fi/horror: action, adventure and all out war.
Most action films are fuelled by testosterone. But Fury Road has so much estrogen coursing in its engines, let’s call it Mad Maxine.
Because The Terminator is not about a cyborg but a resilient woman, James Cameron’s landmark film presented him as a unique feminist.
When is a remake not a remake? When is a re-imagining not a reboot? And most pertinent, when are any of them ever any good?
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