398. Rome, Open City
Rome Open City began filming as Auschwitz was liberated and Roberto Rossellini’s film marks a crucial step in the creation of art in the wake of the Holocaust.
Rome Open City began filming as Auschwitz was liberated and Roberto Rossellini’s film marks a crucial step in the creation of art in the wake of the Holocaust.
Widely regarded as the greatest war picture ever made, Elem Klimov’s Come and See takes its title from The Book of Revelations to deliver a vision of hell.
Released to ecstatic reviews in 1998, Steven Spielberg’s film soon suffered a backlash. Twenty-one years on it has finally come of age.
How did Wolfgang Petersen manage to get audiences to care about a bunch of Nazi sailors trying to destroy the British fleet in the North Atlantic?
An exposé of life in East Germany under the Stasi, The Lives of Others still frustrated survivors of the totalitarian regime.
Most films about childhood are often nostalgic. Louis Malle’s masterful auto-biopic is about loss of an unfathomable kind.
In The Marriage of Maria Braun, Rainer Werner Fassbinder mixed Hollywood melodrama, historical drama and political indictment.
Reviled upon its release and long out of circulation, the influence of Michael Powell’s Peeping Tom is now to be found in the most unexpected places.
In ancient Greece, all violence took place off stage. How can filmmakers show the violence of the Holocaust without exploiting the memory of the victims?
In adapting Karen Blixen’s short story, Gabriel Axel chose to omit the politics and focus on the religious parable. But really, it works best as a recipe for life.
Reviled and banned upon its release, then feared lost forever, Jean Renoir’s masterpiece stands today as a victory for liberalism.
All boring films are alike; every great film is great in its own way. Christopher Nolan’s Dunkirk belongs not just to the latter but amongst the greatest ever made.
Before it was adapted into a film, Cabaret was a memoir, a short story, a play and a Broadway musical. Released in 1972, it now serves as a history lesson.
Philip K Dick was haunted by many dark visions of the future. None more frightening than his alternate-history from 1962.
What makes for a great scene? Performance? Conflict? Dialogue? Visuals? Music? Combine them and you have atomic weight.
The films that really changed the course of cinema are often ones few people have seen.
Blighted with massacres since Biblical times, the word genocide was not coined until 1944. How has cinema faired in depicting it?
How can Howard Hawks’ adaptation of Raymond Chandler’s labyrinthine detective novel be heralded as a classic when it is impossible to follow?
If jazz really is the authentic American art form, why are there so few great jazz movies? No matter, at least there are dozens of great jazz soundtracks.
With this Oscar winning classic, David Lean stopped being an ‘English filmmaker’ and became an ‘international star director’.
How do you make a film about Marxism, sexual oppression and Nazis? Set the whole thing in an Argentinean prison.
Clint Eastwood’s latest film has earned 6 Oscar nominations and is breaking box-office records. But does it deserve all the controversy it is generating?
A box-office flop in 1994, Frank Darabont’s adaptation of Stephen King’s novella is proof that some films deserve a second chance.
How much does the Pentagon help Hollywood? Is Hollywood just the Pentagon’s mouthpiece?
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